http://hdl.handle.net/123456789/10699 2026-04-16T00:23:20Z http://hdl.handle.net/123456789/10338 НІМЕЦЬКИЙ ДОСВІД МОДЕPНІЗАЦІЇ РАЙОНІВ МАСОВОЇ ЖИТЛОВОЇ ЗАБУДОВИ 1960-1980х рр Смоленська, Світлана У статті аналізується досвід німецьких архітекторів, застосований у місті Halle-Neustadt у 1960ті роки. Ідея масового житлового будівництва була тоді характерною для повоєнної Європи. Проблеми, що постали у Німеччині у 1990х-2000х щодо масової житлової забудови у промислових містах сходу, схожі з проблемами, що назріли зараз в Україні. Приклад Halle-Neustadt демонструє цікаві підходи до розвитку районів типового житла із збереженням всіх їхніх переваг. 2024-01-01T00:00:00Z http://hdl.handle.net/123456789/10337 Забутий конкурс світового рівня: державний український театр у Харківі, 1930 Смоленська, Світлана У 1920-ті-початку 1930-х рр. лише в одній українській столиці Харкові відбулося понад 20 архітектурних всесоюзних конкурсів та один міжнародний – на проект Державного Українського Театру, який по праву можна вважати явищем світового значення 2024-01-01T00:00:00Z http://hdl.handle.net/123456789/10336 Kharkiv International Competition - the Apogee of the Soviet Architectural Avant-Garde Smolenska, Svitlana One of the sides of a large study dedicated to the forgotten international competition of 1930 for the Project of the State Ukrainian Theater of Mass Musical Action in Kharkiv is touched upon in this article. Its purpose is the reconstruction of the competition events, identifying the features of the process of their organization. The competition attracted a record number of foreign contestants not only from many European countries, but also from other continents (from the USA and Japan). Why did it generate such widespread interest? Which famous architects took part in it? Who evaluated the projects and according to what criteria were the awards distributed? The author of this article is looking for answers to these questions. The problems of the research are due to the fact that the originals of the competition projects have not survived, and their photocopies and preparatory sketches are scattered in the archives of many countries. Information about the competition and its contestants is scarce and is documented in different languages: Ukrainian, German, French, Russian, Japanese, English, Croatian, Swedish. Only painstaking gathering, meaningful and comparative analysis of textual and graphical information obtained during the study, allows the author to reproduce the course of the competition, to reveal its significance for the development of architecture in Ukraine and for the world Modern Movement. The article analyses the methods that ensured a high level of organization of the competition and an open, unbiased assessment of its results. The distribution of prizes and the authors of the winning projects are also listed. The Kharkiv competition took place at a crucial period for the Soviet avant-garde: 1930-1931 were the last years of its heyday, after which it was banned and persecuted for many years. That is why it is so important to collect these lost puzzles of architectural history. 2024-01-01T00:00:00Z http://hdl.handle.net/123456789/10335 Kharkiv in the 1920s-1930s as the Capital of Victorious Modernism Smolenska, Svitlana Documenting and demonstrating (based on material from archives and literary primary sources) the extraordinary growth and development of Kharkiv in the interwar period with an emphasis on the time when it became the first capital of Soviet Ukraine is the main goal of this article. The ideas of modernism were vividly embodied in the architecture and urbanism of the city in the 1920s and early 1930s. Large-scale urban transformations turned it into one of the largest and most significant industrial, cultural, scientific and educational centers of the USSR in a very short period. It became the third most important city after Moscow and Leningrad. And in 1928 modernism was officially recognized as the leading direction in its architecture 2024-01-01T00:00:00Z